Writer, speaker, trainer, coach and consultant based in Canberra, Australia.
All practices and services are culturally responsive and inclusive.
Disability and diversity advocate.
Your voice matters
I am a communicator, speaker, coach, writer, editor and author. I have British convict and Gamilaraay heritage and I am proud of, and grateful to, my strong and resourceful ancestors. I engage with and learn from my Gamilaraay community and culture in many ways including via learning and practising language, and in the creative writing field. I am an active member of the First Nations Australia Writing Network (FNAWN) and Us Mob Writers (ACT) as well as MARION Writers ACT. I am proud to be an inaugural recipient of the FNAWN Varuna Residency Fellowship (2024). I strive to always ensure that my practice and work is culturally responsive and safe.
I am a person with Disability and a disability and neurodiversity advocate. I am an active member of People with Disability Australia (PwDA) and was a PwDA Director in 2022-2023.
My writing engages with themes related to inclusion and diversity, and tackles questions related to story sovereignty - who has the ‘right’ to tell a story, and what does this mean? I strongly believe that membership of a community involves responsibility and impactful action. I am a Board member of MARION, a not-for-profit, member-based organisation based in Canberra, founded in 1995 as the ACT Writers Centre and renamed in 2022. I am also a Board member of Varuna, The National Writers' House and a peer reviewer for Creative Australia. I was a judge for the 2025 ACT Book of the Year Award.
I take great pride in my work as a mentor and coach of emerging writers and those that seeking pathways to higher education.
I believe that storytelling is connecting, and connecting is healing.
Services
Good writing — whether fiction or non fiction, poetry or prose — is clear, consise, consistent — and compelling.
The reality is that good writing is good writing — no matter the genre. Persuasive writing aims to tell a story, and in doing so, encourages the reader to see things in a new or different way.
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I am available to speak at conferences, webinars, seminars, workshops and workplace events. Areas of expertise include:
Disability and neurodiversity in the workplace - how to foster psychologically safe and inclusive workplaces
Advancing Women with Disability in the workplace
Disability, Diversity and Inclusion
One Welfare perspectives in Science and Literature
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Workshops can be presented face-to-face, online or hybrid. Topics include scientific and academic writing; project management and completion and the very popular ‘thesis midwifery’ (see below for more information on this service). Contact me to see how I can help you and to access testimonials.
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Guidance and support to individuals and groups in their personal development and goal attainment. International Coaching Federation member.
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Workshop resource development including (but not limited to) presentation materials, handbooks, study guides, participant pre and post surveys and assessment materials.
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Peer review services are offered for medical, veterinary and educational articles in the broad disciplines of biological and medical sciences, including nutrition, reproduction, animal sciences, medical sciences, ethics, disability, family violence and mental health. Peer review services are negotiated based on individual requirements. This usually involves using scoring criteria/categories and preparing a report based on predetermined assessment criteria.
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Peer review services are offered for Literary works. Peer review services are negotiated based on individual requirements. This usually involves using scoring criteria/categories and preparing a report based on predetermined assessment criteria.
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Sensitivity reading involves a person with relevant experience, including lived experience, reading a manuscript prior to publication, to make editorial suggestions regarding content that could be considered offensive, inaccurate or stereotypical. It will generally be recommended that specialist/sensitive work will be referred to subject matter/cultural experts. I have a large network of specialist contacts including, but not limited to, the following areas:
Aboriginal and Torres Strait Islander perspectives
Disability/Crip
LGBTQI+
Family and domestic violence
Intergenerational family dysfunction
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I am the ‘thesis midwife’ and have decades of experience in assisting the safe and successful delivery of your precious thesis. All topic areas, masters, PhD, honours … contact me to find out how I can help. I specialise in assisting difficult births, and ones that have been ‘stuck’ for some time. Many testimonials available.
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2025 Australasian Animal Studies Association Conference “Centring Animals Across the Disciplines” 5-7 November 2025, The University of Southern Queensland, Toowoomba, Australia
Presentation: Anthropomorphism and One Welfare and First Nations Storytelling
72nd Annual International Conference of the Wildlife Disease Association “Respect, Listen, Reflect” 1—6 December 2024, Canberra ACT Australia
Plenary: What Could go Wrong? Bringing the Authentic Self to Work: Neurodiversity and Disability
Presentation: Anthropomorphism in western literature, One Welfare and First Nations storytelling
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My short stories and poems have been published in anthologies and periodicals including The Common Thread Anthology (2007—2012) [Pippa Kay Pty Ltd] and The Highland Magazine (2006). My work has recently featured in Rabbit. a journal for nonfiction poetry Extinction vol 40 2024.
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Persuasive academic and scientific writing workshops for Emerging Writers, School of Life and Environmental Services, The University of Sydney, NSW 2006
Advancing Women in Leadership Program, People with Disability Australia
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Eleanor Dark Foundation, 2025 Varuna Residential Fellowship
Peer Assessor Creative Australia (Literature; Disability and First Nations panels)
Honorary Associate, School of Life and Environmental Sciences, The University of Sydney, NSW 2006
Awarded a 2025 Writers Space Residential Fellowship at Varuna the Writers House
Awarded Magabala Discretionary Professional Development Funding 2025
Longlisted for the Richell Prize November 2024
Highly Commended in the 2024 Varuna First Nations Fellowhip Program
Shortlisted for the Cambridge Australia First Nations Writer-in-Residence Fellowship Progam 2024
Inaugural recipient of the FNAWN Varuna Residency Fellowship 2024
Australian College of Educators Teaching Award (2004)
The University of Sydney Vice Chancellor’s Prize for Outstanding Teaching (2002)
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Marion Writers (ACT), Board Member
Varuna the Writers House, Board Member
Us Mob Writers (ACT), member
First Nations Australia Writers Network (FNAWN), member
Australasian Animal Studies Association, member
People with Disability Australia (Board Member 2022/2023)
Institute of Professional Editors
Canberra Society of Editors
Australian Society of Authors
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Diploma of Life Coaching (1084NAT) Life Coaching Academy (currently completing)
Certificates I,II and III in Aboriginal Languages (Gamilaraay) (2023) TAFE NSW
Certificate IV in Small Business Management SETS - NSW (2014)
Certificate IV in Training and Assessment TAFE NSW (2010)
Diploma of Editing and Publishing Macleay College - NSW (2008)
Graduate Certificate in Higher Education (Hons) The University of Sydney NSW (2000)
PhD/Faculty of Veterinary Science The University of Sydney NSW (1995)
Bachelor of Science in Agriculture (Hons) The University of Sydney NSW (1988)
Creative works in progress
I was awarded an inaugural FNAWN Varuna Residency Fellowship in February 2024 for my poetry. In November 2024 my novel GRACE was longlisted for the 2024 Richell Prize. In January I was awarded a 2025 Varuna Writer’s Space Residential Fellowship and Magabala Discretionary Professional Development Funding. In March 2026 I will be undertaking a three-week Varuna Residential Fellowship.
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A child dies while in the care of other children — who is to blame and how does that blame spill over the generations to come?
GRACE is a novel that poses unanswerable questions — how do we move through grief and guilt, and how do we escape the past? In doing so it also engages with the themes of story sovereignty and the power of voice.
First chapter excerpt below:
Chapter 1.
‘Give me the child until he is seven and I will give you the man.’
This adage is frequently misattributed to Ignatius of Loyola, the founder of the order of Jesuits. Tricky folks, the Jesuits. Catholic in tastes. I learnt later, much later, that Aristotle coined the phrase. Quite a different fellow. I had indeed learned many things by the time I when I grew.
But today I am young, and still learning.
On this day we are far away from both Jesuits and polymaths in the hallway of our suburban middle-class house, Mother and me. Or was it Mother and I? I was never sure and spent a lot of time making sure that I didn’t ever have to say that particular phrase. I had thought I was sure but if I used the version I thought was correct I took the risk of being called a snob if Mother did not agree or stupid if she deemed it wrong. As Mother often said you can tell a lot about a person by the way they speak.
But now I am five and sun was shining on this summer morning lighting the hallway golden. Mother’s hair reflected this light – golden too – beautiful, fine, swept up into a neat beehive on top of her head. Not a hair out of place. Once, just a child, I had reached out a hand in awe to touch its gleaming beauty and she had flinched. Flinched so hard that I never forgot it. Keep your sticky hands to yourself. With a little laugh. The little laugh was a little too late. At least she tried. I flinched, too, when people tried to touch me. It was something I had in common with Mother. I treasured that similarity. We had so little in common.
Today was a day to Keep One’s Hands Away. Mother had been fussing about clothes and shoes and tut-tutting as she tweaked at the pleats of my skirt and pulled at my tie. My new straw hat sat in a stiff circle on the hall table. Today was School. It was important to make a Good Impression at School. This much I had gathered from listening – at doors, to telephone calls, in the back seat of the car – always listening.
I was a Quiet Child. Not always a Good Child. I knew that because of the things I had been told, and the things that I had done. Once, I had picked at a loose edge of the wallpaper on the kitchen wall and to my horror had continued to peel off a thin strip. The Devil got into me and I peeled off a strip of wallpaper and now there was a thin white river of no wallpaper. A shocking gap in the gold and brown wallpaper with its orange and green pattern of jaunty oversized tea pots and teacups and salt and pepper grinders on the kitchen wall. Every time I glanced that way I felt a little cold shiver. What was I capable of? Not always a good child. Although a very good listener.
But today was school and that was a Big Thing. Aunt Barbara was coming to see me off on my first day. Aunt Barbara was Mother’s sister, but Barbara’s hair was not beautiful, or gold coloured, or swept up into a beehive. Aunt Barbara was known as Baba – short for Baa Baa Black Sheep. How funny! Mother had named her such. What fun. Baba’s hair was wild and coarse and she was dumpy with a voice that Mother said simply bleated. Baba was kind to me but it was important that Mother understood that I understood all about What People Would Think. I always looked to Mother and winced visibly when Baba spoke. Sometimes I even tut-tutted.
Father was always exasperated with Baba. Exasperating he would say, shaking his head. She needs to get her act together. Try a bit harder. She is simply hopeless. And why is she so fat? Hopeless. I wasn’t sure why Baba was so exasperating but I knew it was something to do with living in a unit with a garden the size of a pocket handkerchief and having a job rather than a husband and children.
Anyway, today Baba was coming to see me off to school. I was glad she was there. She usually bought me a little pot of lollies, a little beehived shaped glass pot that contained tiny little lollies as bright as stained glass. Jelly Tots? Tiny Tots? Something Tots anyway. I liked lollies. I was a Greedy Child. Lousia is greedy Mother would say and she will get fat and spotty if she keeps eating lollies. And don’t get her a book either – she already has her face in a book most of the day. Get her something nice to wear.
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Human male fertility is rapidly declining due to environmental contaminants. Climate change hastens the ever-present danger of a worldwide zoonotic pandemic. Widening socioecomic disparity and the effects of resource fuelled wars threaten political stabilty.
Who takes responsibility — and who takes power?
UMWELT is a connection of short stories that detail the end of the world as we know it — via the end of relationships, the end of lives, and the end of the Anthropocene.
Excerpt below:
Heddy was tired. Tired of her body, tired of the pain, tired of people.
Heddy was just plain tired. She dragged her old creaky, stiff body that had seen so much and done so much and shuffled it into that nice soft spot she had been scoping for weeks now. Peaceful. Cool. Dark. She knew what was coming. The talk on The Hill had told her. And anyway, she just knew. She was so looking forward to it. Already she was starting to lose feeling in her hands, her feet. A soft comforting kind of numbing. Not a panicky feeling at all. And that pain in her stiff old right hip? Gone. Not even a memory - just gone. And her right shoulder, and the back of her neck - that bit that had always been tight and cranky and bitey? All better now. That pain had caused her all her life to walk with her head tipped slightly to the left – or to straighten up was to ask for a sharp bolt straight through the jaw and cheekbone — hard and fast to her eye socket.
The pain in her hip was partly from having so many children and partly from being born so twisted. The one that had delivered her, had held her tiny purply-blue wet body up high, had screwed her face up in consternation. ‘This one is a bit poorly’ that long ago midwife had said, clicking her tongue in sympathy, or irritation, ‘best not to get too attached to it’ and Heddy’s mother had been too tired, too worn out, too defeated to make a fuss or argue. She had let the women take the baby away and the next day Heddy’s mother had got up and slunk away, never to be seen again. That was the way of a lot of folks around these parts anyway. Heddy’s hip hadn’t given her too much gyp until later in life and then it was as if the accumulated weight of so many poor decisions had caught up with her. With it. The hip. ‘The body keeps the score’ Heddy had heard Marcus say. Her shoulder had always been trouble, dislocating so many times she had lost count.
But now she was comfortable, couldn’t even much remember the pain. She started to get the fuzzy feeling in her face too and she leaned into it - warm, soft, quiet. Heddy let her mind just relax and think of times long past. Times from the past came to her like a walking map of her life. Start off here see being born all twisted. Next here - the place that she grew. Then further on - all the decisions that came about just by sheer chance. Heddy marvelled. And laughed. She could only imagine what could have happened had she taken different paths. What was the true path, she wondered? Who was the real Heddy? What would have happened if everything had gone right? Who even know what ‘gone right’ looked like? Too late now to worry about such things. Heddy knew that most of the time she had lived a good life and done her best. Most of the time she had acted for the right reasons. Most of the time the bad things that had happened just happened. No rhyme or reason really. Chance, she thought. Chance seemed to be the biggest genesis of most things in life, including who you were born to, and when and where. And birth was probably the biggest agent of all, after all. The ‘ovarian lottery’ she remembered Marcus saying.
Heddy sank back further into the cushions. She breathed deeply and slowly, like Marcus had taught her, when the pain was bad. Breath in deeply for the count of four -two-three-four expand your lungs as much as you can then hold your breath for the count of six - till it hurts - two-three-four-five-six then slowly SLOWLY now let it all out for the count of eight - two-three-four-five-six-seven-eight. Heddy relaxed. It really did work. She wasn’t thinking at all of pain anymore. Or of the sad things in life. She wasn’t even thinking of Geir or of tiny Hebe. She was looking upwards. Looking forward. Believing that what came next was going to be good. This was a new thing for Heddy. She wasn’t really one of those glass half-full types. Life hadn’t really led her that way, to be fair. She was a trier though, and she was going to give this next thing a bloody good shot too. She lay back and took another deep breath. The cloth under her was soft and old and faded. Comfortable. It had once been some sort of fine linen - now threadbare and age-spotted with many tiny moth holes. But it was cool, and soft and really very well suited to its task. Heddy took one last long, slow breath and grateful, laid right down.
Then — bang. A door slammed. The sound of running footsteps. Calling voices. Excited. More voices. Shouting, ‘she is here! We have found her! Hurry! Oh thank goodness we have got here in time - we can bring her back - quick, quick everybody!’
And Heddy, eyes still closed, began to quietly cry. Salt tears rolling out down her cheeks. She had got so terribly close.
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Two Truths Can be Told is a collection of poems that detail some of the intergenerational legacies — those both deliberate and also unintended — of family violence and dysfunction.
Biography
My undergraduate qualifications are in Agricultural, Veterinary and Medical sciences. My postgraduate qualifications extend into Teaching and Learning, Editing and Publishing, Life Coaching and Small Business Management. I am about to embark upon my second PhD — this one in Creative Writing and Literature.
I am an experienced and well published scientific and academic writer and editor. My creative writing has been published in anthologies and journals and won awards.
I’m based in Canberra, Australia, but able to travel, and also deliver online.
Copyright
All works on this site are my original work and not to be reproduced in part or whole without written permission.
Michelle Hyde Writing is assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body, and also gratefully acknowledges support from Magabala Books.